Manus, image 1

Manus

What if one of the oldest forms of human expression could become a
typeface? I wanted to see if something as simple as a handprint could
be turned into a set of usable letters. To find out, I took a rather unusual
approach to type design: I covered my own hands in paint and started
making letters.

Manus, image 9

The idea came from prehistoric handprint paintings found in caves.
People covered their hands in pigment and pressed them against
rock walls, leaving behind a trace of their presence. I was intrigued
by this gesture and wanted to bring it into a completely different
context: digital typography.

Manus, image 3

“Cave of the Hands”, located
in Santa Cruz province, Argentina.

I started by applying black paint to the side of my hand and
pressing it onto paper in different letter shapes, preserving
the irregularities and natural shapes of the process.

Manus, image 4 Manus, image 10

After scanning the prints, I converted them into digital
letterforms and adjusted their proportions and thickness where
needed. Interestingly, the digitisation process made all the little
bumps and squiggles along the edges even more pronounced.

Manus, image 5 Manus, image 6 Manus, image 7 Manus, image 8

In the end, I created a typeface that feels quite different from
anything I had made before. I like that its shapes are not perfectly
clean or predictable, and that every letter carries traces of the
process behind it. It was an interesting experiment in taking
something very old and giving it a completely different purpose.

Manus, image 2

Art Academy of Latvia / Semester project

Client

Academic advisor

Eva Abduļina

2023

Year

LMA Design Days 2024 / Exhibition

Recognition

ARCHIVE JOURNAL CONTACT manus, image 5

Manus

What if one of the oldest forms of human
expression could become a typeface? I
wanted to see if something as simple as a
handprint could be turned into a set of
usable letters. To find out, I took a rather
unusual approach to type design: I covered
my own hands in paint and started making
letters.

manus, image 9

The idea came from prehistoric handprint
paintings found in caves. People covered
their hands in pigment and pressed them
against rock walls, leaving behind a trace of
their presence. I was intrigued by this
gesture and wanted to bring it into a
completely different context: digital
typography.

manus, image 10

“Cave of the Hands”, located
in Santa Cruz province, Argentina.

I started by applying black paint to the side
of my hand and pressing it onto paper in
different letter shapes, preserving the
irregularities and natural shapes of the
process.

manus, image 11 manus, image 12

After scanning the prints, I converted them
into digital letterforms and adjusted their
proportions and thickness where needed.
Interestingly, the digitisation process made
all the little bumps and squiggles along the
edges even more pronounced.

manus, image 4 manus, image 3 manus, image 2 manus, image 1

In the end, I created a typeface that feels
quite different from anything I had made
before. I like that its shapes are not perfectly
clean or predictable, and that every letter
carries traces of the process behind it. It was
an interesting experiment in taking
something very old and giving it a
completely different purpose.

manus, image 13

Client:

Art Academy of Latvia / Semester project

Academic advisor:

Eva Abduļina

Year:

2023

Recognition:

LMA Design Days 2024 / Exhibition

Usually, there's more going
on than meets the eye.